Classics Considered

If it is difficult to review a book that is nonfiction and follows a less-than-linear outline, then it is doubly difficult to review such a book from the Christian apologetics genre.  And, naturally, one must explain a rating of 5 out of 5 stars . G. K. Chesterton 's Orthodoxy is an account of how he came to hold Christian orthodox beliefs.  By the term "orthodoxy" (the lowercase 'o'), he is not referring to a branch or denomination of the Church, but rather ". . . the Apostles' Creed , as understood by everybody calling himself Christian until a very short time ago and the general historic conduct of those who held such a creed." I happened to read Orthodoxy during or just after my 20th cent. Brit. History course, which included references to H. G. Wells, George Bernard Shaw, and other people of letters.  There was not one mention of Chesterton, despite his friendship with both Wells and Shaw; he does not fit neatly into the agenda presented in su

"My intention was . . . to write a Dickens novel, enriched by the sharper lights which I took from our modern times, and by the pallid ones I would have found in my own interior."   - Diaries (1946), qtd. in "Amerika (novel)," Wikipedia. It is rarely my choice to read Franz Kafka all the way through.  Which is to say, I frequently express the intention of reading Kafka, and I read parts of his writings, but I tend to stumble upon reading any work of his in its entirety.  Amerika: or, The Missing Person (1927) was no exception - choosing it as my third read for the Turn of the Century Salon was a spontaneous decision, especially since I had previously determined not to read it in any case (I had very low expectations for a Kafka novel set in the U.S., rather than in Europe). For this and many other reasons, irony is a good adjective to describe Amerika and Kafka in general.  To name one example - could anything be more ironic than Kafka writing a no